International virtual ceremony slated for March 13th Studio City, California—The Motion Picture Sound Editors (MPSE) today announces nominees for the 69th Annual MPSE Golden Reel Awards. Nominees represent the work of the world’s most talented sound artists and their contributions to the past year’s most outstanding feature film, television, animation, computer entertainment, and student productions. “It’s been a fantastic year for sound and we look forward to celebrating the incredible work sound editors have performed for movies, television, games, documentaries and other creative media last year,” said MPSE president Mark Lanza. “We are excited this year to recognize Ron Howard with our Filmmaker Award and Chic Ciccolini as our Career Achievement recipient. Building on the success of our first-ever virtual ceremony last year, we are planning an even more spectacular night of fun, surprises and great achievements in sound.” The MPSE Golden Reel Awards recognize outstanding achievement in sound editing in 17 categories encompassing feature films, television, animation, computer entertainment, and student work. This year, the awards ceremony will be held as an international virtual event on Sunday, March 13, 2022. Tickets to the 69th Annual MPSE Golden Reel Awards may be purchased here: 2022 MPSE FILMMAKER AWARD Ron Howard 2022 MPSE CAREER ACHIEVEMENT AWARD Anthony “Chic” Ciccolini, III 69th ANNUAL MPSE GOLDEN REEL AWARD NOMINEES   Outstanding Achievement in Sound Editing – Animation Series or Short   Jurassic World – Camp Cretaceous: “Eye of the Storm” Netflix Supervising Sound Editor: Rob McIntyre MPSE Sound Designer: Evan Dockter Sound Effects Editors: Marc Schmidt, D.J. Lynch Dialogue Editor: Anna Adams Foley Editor: Aran Tanchum Foley Artists: Ezra Walker, Vincent Guisetti   Love, Death + Robots: “Snow in the Desert” Netflix Supervising Sound Editor: Brad North MPSE Sound Designer: Craig Henighan MPSE Foley Editors: Jeff Gross, Dawn Lunsford Foley Artist: Alicia Stevens Music Editor: Jeff Charbonneau   Star Trek: Lower Decks: “Strange Energies” Paramount+ Supervising Sound Editor: James Lucero Sound Effects Editors: James Singleton, Mak Kellerman Dialogue Editor: Michael LaFerla Foley Artist: Michael Britt   Star Wars: Visions: “The Duel” Disney+ Supervising Sound Editors: David W. Collins, Matthew Wood Sound Designer: David W. Collins Sound Editor: Luke Dunn Gielmuda Foley Artist: Jana Vance   Star Wars: The Bad Batch: “Reunion” Disney+ Supervising Sound Editor: Matthew Wood Sound Designer: David W. Collins Sound Editor: David W. Collins Foley Editor: Frank Rinella Foley Artist: Kimberly Patrick   Star Wars: A Galaxy of Sounds: “Excitement” Disney+ Supervising Sound Editor: David W. Collins Sound Designers: Ben Burtt, David Acord, Ren Klyce, Tim Nielson, Chris Scarabosio, Tom Bellfort, Sam Shaw, Gary Rydstrom MPSE Sound Editor: Matthew Wood     Outstanding Achievement in Sound Editing – Limited Series or Anthology   The Book of Boba Fett                              Disney+ Supervising Sound Editors: Matt Wood, Bonnie Wild Sound Designer: David Acord Sound Effects Editor: David Collins ADR Editors: Angela Ang, Ryan Cota Foley Editor: Alyssa Nevarez Foley Artists: Ronni Brown, Andrea Gard, Sean England, Margie O'Malley   Loki: “Journey Into Mystery” Disney+ Supervising Sound Editors: David Acord, Matthew Wood Sound Effects Editors: Kyrsten Mate MPSE, Adam Kopald Supervising Dialogue Editor: Steve Slanec ADR Editor: Brad Semenoff MPSE Sound Designer: David Farmer MPSE Foley Editor: Joel Raabe Foley Artists: Shelley Roden MPSE, John Roesch MPSE Supervising Music Editor: Anele Onyekwere Music Editors: Nashia Wachsman, Ed Hamilton   Mare of Easttown: “Illusions” HBO Max Supervising Sound Editor: Bradley North MPSE Dialogue Editor: Tiffany S. Griffith Sound Effects Editor: Jordan Wilby MPSE Foley Editor: Antony Zeller MPSE Foley Artist: Zane Bruce Music Editor: Stephanie Lowry   The Underground Railroad: Chapter 9: “Indiana Winter” Amazon Prime Supervising Sound Editor: Onnalee Blank MPSE Sound Designers: Jay Jennings, Harry Cohen MPSE Sound Effects Editor: Luke Gibleon Dialogue Editors: Chris Kahwaty MPSE, Katy Wood ADR Editor: Bryan Parker MPSE Foley Editors: Pietu Korhonen, Lars Halvorsen Foley Artist: Heikki Kossi MPSE Music Editor: John Finklea     Wandavision: “The Series Finale” Disney+ Supervising Sound Editors: Gwen Whittle MPSE, Kimberly Foscato Sound Designer: Steve Orlando Sound Effects Editors: Scott Guitteau, Jon Borland, Samson Neslund, Richard Gould Supervising Music Editor: Anele Onyekwere ADR Editors: James Spencer, Chris Gridley Foley Editor: Luke Dunn Gielmuda Music Editors: Fernand Bos MPSE, Tom Kramer Foley Artists: Ronni Brown, Shelley Roden MPSE, John Roesch MPSE   The White Lotus HBO Max Supervising Sound Editor: Kathryn Madsen MPSE Supervising Dialogue Editor: Paul Hammond Sound Effects Editor: Mark Allen MPSE Foley Artist: Stefan Fraticelli Music Editor: Mikael Sandgren     Outstanding Achievement in Sound Editing – Non-Theatrical Animation   Arcane – League of Legends: “When These Walls Come Tumbling Down” Netflix Supervising Sound Editors: Brad Beaumont MPSE, Eliot Connors MPSE Supervising Music Editor: Alexander Temple Supervising ADR Editor: Shannon Beaumont Foley Editor: Alexander Ephraim MPSE Foley Artists: Dan O' Connell, John Cucci MPSE Music Editor: Alex Seaver   Lego Star Wars: “Terrifying Tales” Disney+ Supervising Sound Editors: David W. Collins, Matthew Wood Sound Designer: David W. Collins Sound Editors: Justin Doyle, Bonnie Wild Foley Editor: Frank Rinella Foley Artists: Kimberly Patrick, Andrea Gard   Maya and the Three: “Chapter 9: The Sun and the Moon” Netflix Supervising Sound Editor: Scott Martin Gershin MPSE Sound Designers: Chris Richardson, Andrew Vernon MPSE Sound Designer: Scott Martin Gershin MPSE Sound Effects Editors: David Barbee MPSE, Masanobu “Tomi” Tomita Foley Artist: Dan O’Connell Music Editor: Andres Locsey   What if…Doctor Strange Lost His Heart Instead of His Hands? Disney+ Supervising Sound Editor: Mac Smith Sound Effects Editors: Bill Rudolph, Alyssa Nevarez Dialogue Editor: Cheryl Nardi Supervising Music Editor: Anele Onyekwere Music Editor: Tom Kramer Foley Artists: John Roesch MPSE, Shelley Roden MPSE   White Snake 2: “The Tribulation of the Green Snake” Netflix Supervising Sound Editor: Gary Chen Sound Designer: Gary Chen Sound Effects Editors: Wang Shuangshuang, Gary Chen, Mango Mok, Ji Hongrui, Irene Sun, Qiu Yi ADR Editors: Listen Zhang, Liu Huizhe Foley Editors: Liu Huizhe, Cui Lin Foley Artist: Wang Ziwei, Miao Yin, Zhang Jindong, Xin Shengnan     Outstanding Achievement in Sound Editing – Non-Theatrical Documentary   1971: The Year That Music Changed Everything: “Episode 1” Apple TV+ Supervising Sound Editors: Andy Shelley, Stephen Griffiths Sound Effects Editors: Tae Hak Kim, Justin Dolby Dialogue Editor: Claire Ellis Foley Editors: Adam Oakley, Paolo Pavesi Music Editors: Dan Johnson, Nas Parkash Foley Artists: Zoe Freed, Rebecca Heathcote   The Beatles Get Back: “Part 3” Disney+ Supervising Sound Editors: Brent Burge, Martin Kwok Sound Editors: Matt Stutter MPSE, Buster Flaws, Melanie Graham Dialogue Editor: Emile De La Rey Music Editors: Steve Gallagher MPSE, Tane Upjohn-Beatson Foley Editor: Michael Donaldson Foley Artist: Simon Riley   Bob Ross: Happy Accidents, Betrayal & Greed Netflix Supervising Sound Editor: Trevor Gates Dialogue Editors: Ryan Briley, Taylor Jackson Sound Effects Editors: Paul B. Knox, Russell Topal MPSE, Mark Coffey Foley Editor: Alex Jongbloed Foley Artist: Tara Blume Music Editor: Liam Rice   Exterminate All the Brutes HBO / HBO Max Sound Editors: Séverin Favriau, Emeline Aldeguer Dialogue Editor: Daniel Irribaren Foley Artist: Vincent Maloumian   Formula 1: Drive to Survive: “Down to the Wire” Netflix Supervising Sound Editors: Steve Speed, Nick Fry Sound Effects Editor: Hugh Dwan Sound Designer: James Evans Dialogue Editor: Hugh Dwan   Life in Colour with David Attenborough: “Seeing in Color” Netflix Supervising Sound Editor: Wayne Pashley MPSE Sound Effects Editor: Paul Fisher Foley Artists: Jonathan Cawte, Andy Devine, Richard Hinton Music Editor: James Dorman   McCartney 3, 2, 1 Hulu Supervising Sound Editor: Jonathan Greber Sound Editor: Leff Lefferts Dialogue Editors: E. Larry Oatfield, Bjorn Ole Schroeder Music Editor: Kim Foscato   Welcome to Earth Disney+ Supervising Sound Editor: Jay Price Sound Effects Editor: Jay Price Dialogue Editor: Tom Foster Foley Editor: Stuart Bagshaw Music Editor: Ben Smithers   Outstanding Achievement in Sound Editing – Non-Theatrical Feature   Fear of Rain Hulu Supervising Sound Editor: David Barber MPSE Foley Editor: David Kitchens MPSE Sound Effects Editor: Ben Zarai Sound Designer: David Barbee, MPSE Foley Artist: Gonzalo "Bino" Espinoza ADR Editor: Michael Kreple   Fear Street: “Part Two - 1978” Netflix                                                                          Supervising Sound Editor: Trevor Gates Supervising Dialogue Editor: Jason Dotts Sound Effects Editors: Matthew Thomas Hall, Russell Topal MPSE, Mark Coffey Dialogue Editors: Kristen Hirlinger, Harrison Meyle Foley Artist: Sandra Fox Music Editor: Brett "Snacky" Pierce MPSE   The Ice Road Netflix Supervising Sound Editor: Trip Brock MPSE Sound Designer: Charles Maynes MPSE Supervising ADR Editor: Jacob Ortiz MPSE Dialogue Editor: Jackie Johnson Sound Effects Editors: Raymond Park MPSE, Demetri Evdoxiadis Foley Artists: Lorita de la Cerna, G.W. Pope, III MPSE Music Editor: Nicholas Fitzgerald   Infinite Paramount+ Supervising Sound Editors: Mandell Winter MPSE, David Esparza MPSE Sound Designer: Hamilton Sterling Sound Effects Editor: Will Digby MPSE Dialogue Editors: Micah Loken MPSE, Sang Kim Foley Editor: Eryne Prine MPSE Music Editor: Mark "Vordo" Wlodarkiewicz Foley Artists: Dan O'Connell, John Cucci MPSE   Oslo HBO Max Supervising Sound Editor: Lewis Goldstein Supervising ADR Editor: Gina Alfano MPSE Sound Designer: Peter John Still Sound Effects Editors: Alex Soto, Alfred DeGrand Dialogue Editor: Thomas Ryan Foley Editor: Wen Tseng Foley Artists: Leslie Bloome, Joanna Fang     Outstanding Achievement in Sound Editing – ½ Hour – Comedy or Drama   Hacks: “There Is No Line” HBO Max Supervising Sound Editor: Brett Hinton Sound Effects Editor: Marc Glassman MPSE Dialogue Editor: Ryne Gierke Foley Editor: Samuel Munoz Foley Artist: Noel Vought Music Editor: Jason Tregoe Newman   The Kominsky Method: “The Round Toes, of the High Shoes” Netflix Supervising Sound Editor: Lou Thomas Sound Effects Editors: Mark Messick, TJ Jacques Foley Editor: Clay Weber MPSE Foley Artist: Sanaa Kelley   Mythic Quest: “Everlight” Apple TV+ Supervising Sound Editor: Matthew E. Taylor Sound Designer: Pete Nichols Sound Effects Editor: Matthew Wilson Dialogue Editor: Sean Heissinger Foley Editor: David Jobe Foley Artists: Elizabeth Rainey, Jody Holwadel Thomas Music Editor: Joe Deveau   Only Murders in the Building: “The Boy From 6B” Hulu Supervising Sound Editor: Mathew Waters Dialogue Editor: Danika Wikke MPSE Sound Effects Editor: Meredith Stacy Music Editor: Micha Liberman   Schmigadoon: “Suddenly” Apple TV+ Supervising Sound Editor: Cormac Funge Sound Effects Editor: Peter Nichols Dialogue Editor: John Green   We Are Lady Parts: “Sparta” Peacock                                                    Supervising Sound Editor: Jay Price Sound Editor: Tom Foster Dialogue Editor: Dario Swade Foley Editor: Sam Walsh   What We Do in the Shadows: “The Escape” FX Supervising Sound Editor: Steffan Falesitch Sound Effects Editor: David Barbee MPSE Dialogue Editor: Chris Kahwaty MPSE Foley Editors: John Guentner, Sam Lewis Foley Artist: Ellen Heuer Music Editor: Steve Griffen     Outstanding Achievement in Sound Editing – Series 1 Hour – Dialogue / ADR   For All Mankind: “And Here’s to You” Apple TV+                 Supervising Sound Editor: Vince Balunas MPSE Dialogue Editor: Vince Balunas MPSE ADR Editor: Vince Balunas MPSE   The Handmaid’s Tale: “Vows” Hulu Supervising Sound Editor: David McCallum MPSE Dialogue Editor: Krystin Hunter   The Morning Show: “My Least Favorite Year” Apple TV+ Supervising Sound Editor: Mark Relyea MPSE Supervising ADR Editor: Julie Altus Dialogue Editor: Robert Guastini MPSE Supervising Dialogue Editor: Pernell Salinas   The Nevers: “Pilot” HBO Max Supervising Sound Editor: Tim Kimmel MPSE Supervising ADR Editor: Tim Hands Supervising Dialogue Editor: John Matter MPSE   Squid Game: “VIPS” Netflix                                          Supervising Sound Editors: Hye-Young Kang, Tae-Young Choi Supervising ADR Editor: Byung-In Kim Supervising Dialogue Editor: Eun-Ji Ye   Star Trek Discovery: “Kobayashi Maru”            Paramount+ Supervising Sound Editor: Matthew E. Taylor Supervising Dialogue Editors: Sean Heissinger, Cormac Funge ADR Editor: Cormac Funge   Succession: “Secession” HBO Max Supervising Sound Editor: Nicholas Renbeck MPSE Dialogue Editor: Michael Feuser ADR Editor: Angela Organ   Ted Lasso: “Rainbow” Apple TV+ Supervising Sound Editor: Brent Findley MPSE CAS Dialogue Editor: Bernard Weiser MPSE Crowd Editor: Kip Smedley     Outstanding Achievement in Sound Editing – Series 1 Hour – Effects / Foley   Foundation: “The Emperor’s Peace”       Apple TV+ Sound Designer: Tyler Whitham MPSE Sound Effects Editors: Paul Germann, Dave Rose Foley Artist: Steve Baine   The Handmaid’s Tale: “Chicago” Hulu                           Supervising Sound Editors: Jane Tattersall MPSE, David McCallum MPSE Sound Effects Editor: Brennan Mercer Foley Editor: David Caporale Foley Artist: Sandra Fox   Lost in Space: “Trust” Netflix Supervising Sound Editor: Branden Spencer MPSE Sound Designer: Benjamin Cook MPSE Sound Effects Editors: Shaughnessy Hare, Brendan Croxon Foley Artist: Paul Pirola   Squid Game: “VIPS” Netflix                                          Supervising Sound Editor: Hye-Young Kang Sound Designer: Ye-Jin Jo Sound Effects Editor: Hye-Jin Yang Foley Editor: Taek-Hyun Hong Foley Artist: Chung-Gyu Lee   Star Trek Discovery: “Kobayashi Maru” Paramount+ Supervising Sound Editors: Matthew E. Taylor, Michael Schapiro Sound Designers: Harry Cohen MPSE, Katie Halliday MPSE Sound Effects Editor: Andrew Twite Foley Editor: Clay Weber MPSE Foley Artists: Alyson Moore, Chris Moriana   Ted Lasso: “Beard’s Night Out” Apple TV+ Supervising Sound Editor: Brent Findley MPSE CAS Sound Effects Editors: Kip Smedley, Mark Cleary Foley Editors: Jordan McClain, Arno Stephanian MPSE Foley Artists: Sanaa Kelley, Matt Salib   The Witcher: “A Grain of Truth” Netflix Supervising Sound Editor: Matthew Collinge Sound Designers: Rob Turner, Alyn Sclosa, Rob Prynne Foley Editors: Adam Oakley, Rob Weatherall Foley Artists: Zoe Freed, Rebecca Heathcote   Wu Tang: An American Saga: “Protect Ya Neck” Hulu Supervising Sound Editor: Thomas E. de Gorter MPSE Sound Designer: Michael O'Conner Foley Editors: Geordy Sincavage, Alex Jongbloed Foley Artists: Tara Blume, Monique Reymond     Outstanding Achievement in Sound Editing – Series 1 Hour - Music   Cobra Kai: “The Rise” Netflix Music Editor: Andres Locsey   See: Rock-a-Bye Apple TV+ Music Editor: Dan Farkas   Squid Game: “Red Light, Green Light” Netflix Music Editor: Jae-il Jung   Star Trek Discovery: “Kobayashi Maru” Paramount+ Supervising Music Editor: Moira Marquis Scoring Editor: Matea Prljevic   Ted Lasso: “Rainbow” Apple TV+ Supervising Music Editor: Richard David Brown Music Editor: Sharyn Gersh MPSE   The Witcher: “A Grain of Truth” Netflix Music Editor: Arabella Winter MPSE   Wu Tang: An American Saga: “Protect Ya Neck” Hulu Music Editor: Sebastian Zuleta     Outstanding Achievement in Sound Editing – Feature Animation   Encanto Walt Disney Animation Studios Supervising Sound Editor: Shannon Mills Supervising Dialogue Editor: Brad Semenoff MPSE Sound Designer: Nia Hansen Sound Effects Editors: Samson Neslund, Justin Doyle, Cameron Barker, Qianbaihui Yang MPSE Dialogue Editor: Richard Quinn Foley Editor: Alyssa Nevarez Foley Artists: John Roesch MPSE, Shelley Roden MPSE Supervising Music Editor: Earl Ghaffari Music Editors: Angie Rubin, Kendall Demarest MPSE   Luca Pixar Animation Studios Supervising Sound Editors: Chris Scarabosio, André Fenley Supervising Dialogue Editor: Rich Quinn Supervising Foley Editor: Ronni Brown Sound Effects Editors: Justin Doyle, Pascal Garneau Foley Editor: E. Larry Oatfield Foley Artists: Jana Vance, Ronni Brown Music Editor: Lodge Worster   The Mitchells vs. the Machines Sony Pictures Animation Supervising Sound Editor: Geoffrey G. Rubay Supervising ADR Editor: James Morioka Sound Designer: John Pospisil Sound Effects Editors: Kip Smedley, Andy Sisul MPSE, Alec G. Rubay, Dan Kenyon, Greg Ten Bosch MPSE ADR Editor: Curt Schulkey Foley Artist: Gregg Barbanell MPSE Foley Artist: Rick Owens MPSE Music Editors: Dominick Certo MPSE, Barbara McDermott   Raya and the Last Dragon Walt Disney Animation Studios Supervising Sound Editor: Shannon Mills Supervising Dialogue Editor: Brad Semenoff MPSE Sound Designer: Nia Hansen Sound Effects Editors: Samson Neslund, David C. Hughes, Cameron Barker Foley Editors: Chris Frazier, Steve Orlando Foley Artists: John Roesch MPSE, Shelley Roden MPSE Supervising Music Editor: Jim Weidman Music Editor: David Olson   Sing 2 Illumination / Universal Pictures Supervising Sound Editor: Dennis Leonard Supervising Dialogue Editor: Jonathan Greber Supervising ADR Editor: Daniel Laurie Sound Designer: Josh Gold Sound Effects Editors: Lucas Miller, Benjamin A. Burtt Foley Editors: Shaun Farley MPSE, Jonathon Stevens Music Editors: Michael Connell, Charles Inouye     Outstanding Achievement in Sound Editing – Feature Documentary   Billie Eilish: The World’s a Little Blurry Apple TV+ Supervising Sound Editor: Richard Yawn MPSE Music Editor: Michael Brake MPSE Dialogue Editor: Rob Getty MPSE Sound Effects Editor: Steven Avila MPSE Foley Editor: Shawn Kennelly Foley Artists: Melissa Kennelly, Vince Nicastro   Flee NEON Supervising Sound Editor: Edward Björner Dialogue Editor: Jens Johansson Sound Designer: Fredrik Jonsäter Foley Artists: Rune Van Deurs, Bengt Öberg   The Rescue Disney+ Supervising Sound Editor: Deborah Wallach Sound Effects Editor: Roland Vajs Foley Artist: Nuno Bentro Music Editor: Ben Smithers   Summer of Soul (or, when the Revolution Could Not Be Televised) Searchlight Pictures Supervising Sound Editor: Joshua L. Pearson Supervising Music Editor: Jimmy Douglass   VAL Amazon Prime Supervising Sound Editor: John Bolen Dialogue Editor: John Bolen Sound Effects Editor: John Bolen Foley Editor: John Bolen   The Velvet Underground Apple TV+ Supervising Sound Editor: Leslie Shatz Music Editor: Jahn Sood     Outstanding Achievement in Sound Editing – Foreign Language Feature   Cliff Walkers Viki Supervising Sound Editors: Yang Jiang MPSE, Zhao Nan MPSE ADR Editor: Li Xinghui Foley Artist: Han Junsheng Sound Editors: Ann Scibelli, Xiao'ou Olivia Zhang MPSE, Iain Pattison   The Hand of God Netflix Supervising Sound Editor: Silvia Moraes   A Hero Amazon Prime Supervising Sound Editor: Mohammadreza Delpak Dialogue Editor: Mohammadreza Delpak Sound Effects Editor: Mohammadreza Delpak   Titane Amazon Prime Sound Editor: Séverin Favriau Foley Artist: Céline Bernard   A Writer’s Oddyssey Netflix Supervising Sound Editor: Xiao Sha Liu Supervising ADR Editor: Xiao Sha Liu Sound Designer: Gang Wang Sound Effects Editors: Shuang Shuang Wang, Hong Rui Ji, Gang Wang, Ruo Qi Mo, Tobias Poppe, Zi Jian Jiang Dialogue Editor: Zi Jin Foley Editor: Pei Ya Zhang Foley Artists: Zi Wei Wang, Yin Miao Music Editor: Fei Yu     Outstanding Achievement in Sound Editing – Feature Dialogue / ADR   Dune Warner Bros. Dialogue Editor: David Bach   Last Night in Soho Universal Pictures Supervising Sound Editors: Dan Morgan, Julian Slater MPSE Supervising ADR Editor: Dan Morgan   The Matrix Resurrections Warner Bros. Supervising Sound Editors: Stephanie Flack, Dane A Davis MPSE Dialogue Editors: Marek Forreiter, Benjamin Hörbe, Dominik Schleier, Immo Trümpelmann   Nightmare Alley Searchlight Pictures Supervising Sound Editor: Jill Purdy MPSE Supervising Dialogue Editor: Jill Purdy MPSE Supervising ADR Editor: Jill Purdy MPSE Dialogue Editor: Nelson Ferreira MPSE   No Time to Die Universal Pictures Supervising Dialogue & ADR Editors: Becki Ponting, Michael Maroussas Dialogue Editors: Rachael Tate MPSE, Adele Fletcher Supervising Sound Editor: Oliver Tarney MPSE   The Power of the Dog Netflix Supervising Dialogue & ADR Editor: Leah Katz   A Quiet Place Part II Paramount Pictures Supervising Sound Editor: Ethan Van der Ryn Supervising Dialogue & ADR Editors: Vanessa Lapato, Nancy Nugent Dialogue Editor: Matt Cavanaugh MPSE   The Tragedy of Macbeth Apple TV+ Supervising Sound Editor: Skip Lievsay Supervising Dialogue Editor: Michael Feuser     Outstanding Achievement in Sound Editing – Feature Effects / Foley   Belfast Focus Features Sound Designer: James Mather Sound Editor: Tomas Blazukas Foley Editor: Arthur Grayley Foley Artists: Sue Harding, Oliver Ferris   Dune Warner Bros. Supervising Sound Editors: Theo Green, Mark Mangini MPSE Sound Designer: Dave Whitehead Sound Effects Editors: Phil Barrie, Lee Gilmore MPSE, Greg Ten Bosch MPSE, Robert Kellough MPSE, Piero Mura Foley Editor: Christopher Bonis Foley Artists: Andy Malcolm, Goro Koyama, Sandra Fox   The Matrix Resurrections Warner Bros. Supervising Sound Editors: Dane A. Davis MPSE, Stephanie Flack Sound Effects Editors: Bryan O. Watkins, Jeremy Peirson, Markus Stemler, Michael Schapiro, Eric Lindemann, Albert Gasser MPSE, Laurent Kossayan MPSE, Caron Weidner Foley Editors: Frank Kruse, Kuen Il Song Foley Artist: Daniel Weiss   Nightmare Alley Searchlight Pictures Supervising Sound Editor: Nathan Robitaille MPSE Sound Effects Editor: Dashen Naidoo Foley Editor: Chelsea Body Foley Artists: Goro Koyama, Andy Malcolm   No Time to Die Universal Pictures Supervising Sound Editors: Oliver Tarney MPSE, James Harrison Sound Designers: Bryan Bowen, Eilam Hoffman Sound Effects Editor: Dawn Gough Foley Editor: Hugo Adams Foley Artists: Sue Harding, Andrea King   A Quiet Place Part II Paramount Supervising Sound Editors: Ethan Van der Ryn, Erik Aadahl MPSE Sound Designers: Malte Bieler, Brandon Jones Sound Effects Editors: Chris Diebold, Matt Cavanaugh MPSE Foley Editor: Jonathan Klein Foley Artists: Steve Baine, Peter Persaud   Spider-Man: No Way Home Sony Pictures Supervising Sound Editor: Steven Ticknor MPSE Sound Designer: Anthony Lamberti     Outstanding Achievement in Sound Editing – Feature Music   Dune Warner Bros. Supervising Music Editors: Clint Bennett, Ryan Rubin Music Editor: Peter Myles   Ghostbusters: Afterlife Sony Pictures Supervising Music Editor: Curt Sobel   In the Heights Warner Bros. Music Editors: Jim Bruening, Jennifer Dunnington, Ben Holiday   The Matrix Resurrections Warner Bros. Supervising Music Editor: Gabriel Isaac Mounsey Music Editors: Hans Hafner, Jonathan Levi Shanes   Nightmare Alley Searchlight Pictures Music Editors: Clint Bennett, Kevin Banks MPSE Scoring Editor: Cecile Tournesac   A Quiet Place Part II Paramount Music Editors: Jim Schultz, Nancy Allen MPSE, Del Spiva MPSE, Ramiro Belgardt   tick tick…BOOM! Netflix Music Editors: Nancy Allen MPSE, John Davis, Bri Holland   West Side Story 20th Century Studios Music Editors: Joe E. Rand, Ramiro Belgardt Scoring Editor: David Channing     Outstanding Achievement in Sound Editing – Game Audio   The Ascent Neon Giant Audio Director   : Samuel Justice Audio Leads: Stefan Rutherford, Joe Thom Supervising Sound Editor: Csaba Wagner Sound Designers: Lee Banyard, Michael Benzie, Jordan Lee Colins, Luke Hatton, Joe Hudson, Jason W. Jennings, Michael Leaning, Barney Oram, Jack Raeburn, Stephano Sanchinelli, Chris Sweetman, John Tennant Sound Editors: Graham Donnelly, Eilam Hoffman   Call of Duty: Vanguard Infinity Ward Audio Director: David Swenson MPSE Audio Leads: Matthew Grimm, Ryan McSweeney, Michael Caisley, Eric Wedemeyer Supervising Sound Editors: Charles Deenen MPSE, Nick Interlandi, Nick Martin Supervising Dialogue Editor: Emilio Lopez-Centellas, Adam Boyd MPSE, Hilary Long Supervising Music Editors: Ted Kocher, Anthony Caruso Sound Designers: Kegan Chau, Fernando Labarthe, Sheridan Willard, Tyler Cannan, Michael Tornabene, Peter Wayne, Liam Underwood, Don Veca, Jeremiah Sypult, Andy Bayless, Darren Blondin, Nicholas D'Amato, Jacob Denny, Jacob Harley, Vadim Nuniyants, Timothy Schlie, Aaron Brown, Ian Mika, Tory Bader, Corina Bello, Darrell Tung, Jonathan Gosselin, Nick Tremblay, Mathieu Denis, Mikael Frithiof, Jon Persson, Braden Parkes, Erick Ocampo, Mike Maksim, Matt Hall, Chris Diebold, Jeff Sawyer, Josh Moore, Igor Comes, Tim Gedemer MPSE, Klaus Shipman, Jim Schaefer, Rashaad Wiggins Sound Editors: Daniel Petras, Jordan Ruhala, Matthew Schaff MPSE Dialogue Editors: Robert Jackson, Maggie Wolf, Alvaro Vela, Serge J. Isaac, Stiv Schneider, Juliana Henao Mesa, David Price Music Editors: Scott Shoemaker, Tao-Ping Chen, Adam Kallibjian, Rob Goodson, Andrew Buresh Foley Artist: Foley Walkers   Halo Infinite Xbox Game Studios Audio Director: Sotaro Tojima Audio Leads: Kyle Fraser, Jomo Kangethe, Robbie Elias, Chase Thompson Supervising Sound Editors: Samuel Justice, Csaba Wagner Supervising Dialogue Editors: Josh Bandy, Emma Emrich Supervising Music Editor: Joel Yarger Sound Designers: Noa Lothian, Daniel Raimo, Pax Helgesen, Nick D’Amato, Gary Spinrad MPSE, Michael Leaning, Stefan Rutherford, Mitchell Osias, Bryan O. Watkins, Andrew Lackey, Laura Taylor, David Farmer MPSE, Adam Boyd MPSE, Graham Donnelly, John Loranger MPSE, Barney Oram, Frank Petreikis, Austin Shannon, Chris Sweetman, Matthew Wesdock, Robert Blake, Paul Hackner MPSE Sound Effects Editors: Zeke Fenelon, Stephen Brown, Adam Croft, Joshua Du Chene, Thornton Prime VI, Kochun Hu, Ben Kersten, Spencer Riedel Foley Artists: John Roesch MPSE, Alyson Dee Moore, Christopher Moriana, Bogdan Zavarzin Dialogue Editors: Monet Gardiner, Garret Montgomery MPSE, Daniel P. Francis MPSE, Peret Von Sturmer Music Editors: Colin Andrew Grant, Cameron Konner   Ratchet & Clank: A Rift Apart Insomniac Games Audio Leads: Daniel Birczynski, Dwight Okahara, Jamie McMenamy Audio Director   : Paul Mudra Supervising Sound Editors: Jeremie Voillot, Emile Mika Supervising Dialogue Editors: Patrick Michalak Supervising Music Editor: Scott Hanau Sound Designers: David Yingling, Blake Johnson, Jeff Dombkowski, Brooke Yap, Daniele Carli MPSE, Tyler Cornett, Tyler Hoffman, Christian Kjeldsen, Jeff Darby, Zack Bogucki, Aaron Sanchez, Kei Matsuo MPSE, David Goll, Adam Lidbetter, Alex Previty, Erik Buensuceso, Casey Slocum, Rob Castro, Gregory McCoach, Andres Herrera, Maria Rascon, Nathaniel Bonisteel, Noburo Masuda, Keiichi Kitahara Dialogue Editors: Keith Asack, Michelangelo Muscariello, Evan Hodick, Matthew Strasser, Jaime Marcelo, Ryan Schaad, Tim Schumann Music Editors: Andrew Buresh, Anthony Caruso, Ernest Johnson, James Zolyak, Justin Lieberman, Nicholas Mastroianni, Rob Goodson, Scott Bergstrom, Tao-Ping Chen, Ted Kocher, Tyler Crowder   Star Wars: Tales from the Galaxy’s Edge – Last Call Oculus Quest Supervising Sound Editors: Michael Brinkman, Paul Stoughton, Kevin Bolen Sound Designers: Bill Rudolph, Jonathan Do, Andy Martin Dialogue Editors: Ryan Cota, Chris Gridley Music Editor: Clark Rhee     Outstanding Achievement in Sound Editing – Student Film (Verna Fields Award)   Build Me Up The National Film and Television School Supervising Sound Editor: Wong Hui Grace   Cocon Netherlands Film Academy Supervising Sound Editor: Freija Hogenboom Foley Artists: Camiel Povel, Annika Epker   Do Not Feed the Pigeons The National Film and Television School Supervising Sound Editor: Joe De-Vine Sound Designer: Joe De-Vine   The Many Faces of Ava The National Film and Television School Supervising Sound Editor: Dominika Latusek   Night of the Living Dread The National Film and Television School Supervising Sound Editor: Miles Sullivan   Other Half The National Film and Television School Supervising Sound Editor: Zoltán Kadnár   Pressure The National Film and Television School Supervising Sound Editor: Antek Rutczynski Sound Designer: Antek Rutczynski   Échale Ganas, The Villa’s Tacos Chapman University Supervising Sound Editor: Mingxin Qiguan Sound Designer: Mingxin Qiguan   About MPSE Founded in 1953, the Motion Picture Sound Editors is a non-profit organization of professional sound and music editors who work in the motion picture television and gaming industries. The organization’s mission is to provide a wealth of knowledge from award-winning professionals to a diverse group of individuals, youth and career professionals alike; mentoring and educating the community about the artistic merit and technical advancements in sound and music editing; providing scholarships for the continuing advancement of motion picture sound in education; and helping to enhance the personal and professional lives of the men and women who practice this unique craft. mpse.org