Los Angeles—The Motion Picture Sound Editors (MPSE) today announces nominees for the 61st MPSE Golden Reel Awards in all categories. Nominees represent the work of the world's most talented sound artists and their contributions to the past year's most outstanding feature film, television, animation and computer entertainment productions. "This year's Golden Reel nominees epitomize the craft of sound production at its best," said MPSE president Frank Morrone. "We take great pride in recognizing the achievements of talented men and women who continue to inspire us with their imagination, resourceful and craft." A complete list of nominees, with crew, will be available on the The 61st MPSE Golden Reel Awards website next week. The MPSE Golden Reel Awards recognize outstanding achievement in sound editing in 22 categories encompassing feature films, television, animation, computer entertainment and student work. The 61st MPSE Golden Reel Awards will be held February 16, 2014 at the Westin Bonaventure Hotel and Suites in Los Angeles. The 61st MPSE Golden Reel Awards Nominees BEST SOUND EDITING: SOUND EFFECTS, FOLEY, DIALOGUE AND ADR ANIMATION IN TELEVISION:     Fairly OddParents      Supervising Sound Editor:       Heather Olsen, MPSE Gravity Falls   Supervising Sound Editor:       Heather Olsen, MPSE Star Wars: The Clone Wars Supervising Sound Editor:       Matthew Wood Monster High Supervising Sound Editor:       Joe Pizzulo Phineas and Ferb Supervising Sound Editor:       Robert Poole II, MPSE Teenage Mutant Ninja Turtles Supervising Sound Editors:      Jeff Shiffman, Otis Van Osten Tron: Uprising Supervising Sound Editor:       Michael Ferdie T.U.F.F. Puppy Supervising Sound Editor:       Heather Olsen, MPSE   BEST SOUND EDITING: SHORT FORM DOCUMENTARY IN TELEVISION North America Supervising Sound Editors:      Kate Hopkins, Tim Owens Through the Wormhole with Morgan Freeman Supervising Sound Editor:       Eric Raber 30 Days In May Supervising Sound Editor:       Kelly Vandever   BEST SOUND EDITING: LONG FORM DOCUMENTARY IN TELEVISION Deadliest Catch: The Final Battle Supervising Sound Editor:       Bob Bronow, CAS 30 for 30 BIG SHOT Supervising Sound Editors:      Eric Lalicata, Marcus Pardo Manhunt Supervising Sound Editors:      Trip Brock, Steven Avila MPSE   BEST SOUND EDITING: COMPUTER EPISODIC ENTERTAINMENT Intel/Toshiba The Power Inside Supervising Sound Editor:       Darren "Sunny" Warkentin, MPSE Mortal Kombat:Legacy Series II Supervising Sound Editor:       Michael Babcock Video Game High School (Season 2) Supervising Sound Editor:       Paul Andre Fonarev Bravest Warriors Supervising Sound Editors:      Gary Falcone, Joe Pizzulo INSIDIOUS: Spectral Sightings Supervising Sound Editor:       Mark Camperell, MPSE   BEST SOUND EDITING: COMPUTER INTERACTIVE ENTERTAINMENT Batman Arkham Origins Supervising Sound Editor:       Alain Larose Final Fantasy XIV - A Realm Reborn Supervising Sound Editors:      Scott Martin Gershin, MPSE, Masanobu 'Tomi' Tomita The Last of Us Supervising Sound Editor:       Shannon Potter Skylanders Swap Force Supervising Sound Editors:      Mark Jasper, MPSE, Tom Hays StarCraft 2: Heart of the Swarm Cinematic            Supervising Sound Editor:       Paul Menichini, MPSE   BEST SOUND EDITING: DIRECT TO VIDEO ANIMATION Batman: The Dark Knight Returns Pt.2 Supervising Sound Editor:       Robert Hargreaves, MPSE Koala Kid Supervising Sound Editor:       Eric Lalicata Superman: Unbound Supervising Sound Editor:       Robert Hargreaves, MPSE   BEST SOUND EDITING: DIRECT TO VIDEO LIVE ACTION The Baytown Outlaws           Supervising Sound Editor:       Eric Lalicata Empire State Supervising Sound Editor:       David Barber, MPSE Evidence Supervising Sound Editors:      Darren "Sunny" Warkentin, MPSE, Lon Bender, MPSE The Frozen Ground Supervising Sound Editor:       David Barber, MPSE Lord of Darkness Supervising Sound Editor:       Trip Brock Marvel One-Shot: Agent Carter Supervising Sound Editor:       Andrew DeCristofaro, MPSE   BEST SOUND EDITING: SPECIAL VENUE       Great White Shark 3D Supervising Sound Editor:       Brian Eimer Jerusalem Supervising Sound Editors:      Michael B. Bordeleau, Peter Thillaye Journey to the Pacific Supervising Sound Editor:       Andrew De Cristofaro, MPSE Titans of the Ice Age Supervising Sound Editor:       Brian Eimer To the Arctic 3D Supervising Sound Editor:       Andrew De Cristofaro, MPSE   BEST SOUND EDITING IN TELEVISION - SHORT FORM: DIALOGUE & ADR American Horror Story: Coven Supervising Dialogue Editor: Gary Megregian, MPSE Boardwalk Empire Supervising ADR Editor:          Jeffery Stern Supervising Dialogue Editor:  Fred Madsen Breaking Bad EP 513 "To'hajiilee" Supervising ADR Editor:          Nick Forshager Supervising Dialogue Editor:  Kathryn Madsen Family Tree Supervising ADR Editor:          Hamilton Sterling Supervising Dialogue Editor:  Alison Fisher Game of Thrones Supervising ADR Editor:          Jed Dodge Supervising Dialogue Editor:  Tim Hands House of Lies Episode 204 Supervising Dialogue & ADR Editor:   Pembrooke Andrews The Newsroom Supervising ADR Editor:          Mark Relyea The Walking Dead Supervising Dialogue & ADR Editor:   Lou Thomas BEST SOUND EDITING IN TELEVISION - SHORT FORM: SOUND EFFECTS & FOLEY Boardwalk Empire Supervising Sound Editor:       Fred Rosenberg The Borgias "The Face of Death" Supervising Sound Editor:       Jane Tattersall, MPSE Breaking Bad EP 516 "Felina" Supervising Sound Editor:       Nick Forshager Homeland       Supervising Sound Editor:       Craig Dellinger, MPSE Game of Thrones       Supervising Sound Editor:       Tim Kimmel Once Upon a Time in Wonderland  Supervising Sound Editors:      Joe Schultz, Tom de Gorter, MPSE Vikings Season One   Supervising Sound Editor:       Jane Tattersall, MPSE The Walking Dead     Supervising Sound Editor:       Jerry Ross   BEST SOUND EDITING IN TELEVISION - LONG FORM: DIALOGUE & ADR  Bonnie And Clyde Night 2 Dead and Alive Supervising Dialogue & ADR Editor:   Pembrooke Andrews The Bridge      Supervising ADR Editor:          Mike Marchain Dancing on the Edge Supervising Dialogue & ADR Editor:   Ian Wilkinson Mob City        Supervising ADR Editor:          Lou Thomas Sons of Anarchy "Mad King"                        Supervising ADR Editor:          Erich Gann Supervising Dialogue Editor:  Joy Ealy   BEST SOUND EDITING IN TELEVISION - LONG FORM: SOUND EFFECTS & FOLEY The Bible Supervising Sound Editor:       Marc Lawes Borealis Supervising Sound Editors:      Kevin Howard, MPSE, Robert Hegedus Defiance Supervising Sound Editors:      Daniel Colman, MPSE, Jack Levy Killing Kennedy Supervising Sound Editor        Larry Goeb Sons of Anarchy "Salvage" Supervising Sound Editor:       Erich Gann   BEST SOUND EDITING IN TELEVISION - SHORT FORM: MUSIC Arrested Development Supervising Music Editor:       Jason Tregoe Newman Borgia Supervising Music Editor:       Robert Cotnoir, MPSE CSI: Crime Scene Investigation Supervising Music Editor:       Troy Hardy Game of Thrones Supervising Music Editor:       David Klotz The Good Wife Music Editor:   Sharyn Gersh                           Hostages         Music Editor:   Skye Lewin, MPSE Marvel's Agents of S.H.I.E.L.D. Music Editor:   Lodge Worster                          BEST SOUND EDITING IN TELEVISION - SHORT FORM: MUSICAL Glee Supervising Music Editor:       David Klotz Nashville Supervising Music Editor:       Jen Monnar The Neighbors Supervising Music Editor:       Chris Foster Peg + Cat Supervising Music Editor:       Steven Rebollido Smash 207 - Musical Chairs              Music Editor:   Dan Evans Farkas   BEST SOUND EDITING IN TELEVISION - LONG FORM: MUSICAL    History of the Eagles Music Editor:   Annette Kudrak, MPSE Smash Supervising Sound Editor:       Robert Cotnoir, MPSE Teen Beach Movie Supervising Sound Editor:       Amber Funk   BEST SOUND EDITING: MUSIC IN A MUSICAL FEATURE FILM Frozen Music Editor:   Fernand Bos, MPSE Inside Llewyn Davis Music Editor:   Jen Monnar Justin Bieber's Believe Supervising Music Editor:       Kevin McKeever Metallica Through the Never Music Editor:   Matt Fausak                  BEST SOUND EDITING: MUSIC SCORE IN A FEATURE FILM                         12 Years A Slave         Music Editor:   Katrina Schiller           47 Ronin Supervising Music Editor:       Andrew Silver American Hustle Music Supervisor:       Susan Jacobs Gravity Supervising Music Editor:       Christopher Benstead The Great Gatsby       Supervising Music Editor:       Jason Ruder The Hobbit: The Desolation of Smug Supervising Music Editor:       Mark Willsher Mandela: Long Walk To Freedom    Supervising Music Editor:       Lewis Morison World War Z  Supervising Sound Editor:       John Finklea   BEST SOUND EDITING: SOUND EFFECTS & FOLEY IN A FEATURE FILM      12 Years A Slave         Supervising Sound Editors:      Ryan Collins, MPSE, Robert Jackson All Is Lost        Supervising Sound Editors:      Richard Hymns, Steve Boeddeker Captain Phillips Supervising Sound Editor:       Oliver Tarney, MPSE Fast & Furious 6         Supervising Sound Editor:       Peter Brown Gravity Supervising Sound Editor:       Glenn Freemantle The Hobbit: The Desolation of Smug Supervising Sound Editor:       Chris Ward Iron Man 3 Supervising Sound Editors:      Mark Stoeckinger, Andrew DeCristofaro, MPSE Lone Survivor            Supervising Sound Editor:       Wylie Stateman BEST SOUND EDITING: DIALOGUE & ADR IN A FEATURE FILM       12 Years A Slave         Supervising Sound Editor:       Ryan Collins, MPSE American Hustle        Supervising Sound Editor:       John Ross August: Osage County          Supervising Sound Editor:       Lon Bender, MPSE Captain Phillips          Supervising Sound Editor:       Oliver Tarney, MPSE Gravity            Supervising Sound Editor:       Glenn Freemantle Her Supervising Sound Editor:       Ren Klyce Inside Llewyn Davis   Supervising Sound Editor:       Skip Lievsay Lone Survivor            Supervising Sound Editor:       Wylie Stateman   BEST SOUND EDITING: SOUND EFFECTS, FOLEY, DIALOGUE & ADR IN AN ANIMATION FEATURE FILM Cloudy With A Chance Of Meatballs 2        Supervising Sound Editor:       Geoffrey G. Rubay The Croods     Supervising Sound Editors:      Randy Thom, Jonathan Null Despicable Me 2        Supervising Sound Editors:      Dennis Leonard, Chris Scarabosio Epic     Supervising Sound Editors:      Randy Thom, Gwendolyn Yates Whittle Ernest & Celestine     Supervising Sound Editor:       Fred Demolder Frozen Supervising Sound Editor:       Odin Benitez, MPSE Monsters University  Supervising Sound Editors:      Michael Silvers           , Tom Myers Planes Supervising Sound Editors:      Todd Toon, MPSE, Rob Nokes BEST SOUND EDITING: SOUND EFFECTS, FOLEY, DIALOGUE & ADR IN A FOREIGN FEATURE FILM Blue Is the Warmest Color                                        Supervising Sound Editor:       Fabien Pochet The Grandmaster       Supervising Sound Editors:      Robert Mackenzie, Traithep Wongpaiboon The Past          Supervising Sound Editor:       Thomas Desjonqueres Wadjda           Supervising Sound Editor:       Sebastian Schmidt   BEST SOUND EDITING: DOCUMENTARY IN AN ANIMATION FEATURE FILM         "1"       Supervising Sound Editors:      Lon Bender, MPSE, Beau Borders 20 Feet From Stardom          Supervising Sound Editor:       Al Nelson CinemAbility Supervising Sound Editor:       Andrew DeCristofaro, MPSE Dirty Wars Supervising Sound Editor:       Christopher Barnett Good Ol' Freda Supervising Sound Editor:       Henry Auerbach Muscle Shoals            Supervising Sound Editor:       Christopher Koch Rising From Ashes      Supervising Sound Editors:      David Barber, MPSE, Ben Zarai Sound City Supervising Sound Editor:   VERNA FIELDS AWARD IN SOUND EDITING FOR STUDENT FILMMAKERS Anamnesis      National Film and Television School Sound Designer:          Filipe Paszkiewicz First Light       National Film and Television School Sound Designer:          Raoul Brand If You're Serious        University of Miami School of Communications Sound Designer:          Jorge Fernandez The Magnificent Lion Boy National Film & Television School Sound Designer:          Ania Przygoda Miss Todd       National Film & Television School Filmmaker:      Kristina Yee Robomax        National Film & Television School Sound Designer:          Tingli Lim Sleeping With The Fishes      National Film and Television School Sound Designer:          Nikola Medic   About The Motion Picture Sound Editors (MPSE) The MPSE is a non-profit organization whose mission is to provide a wealth of knowledge from award-winning professionals to a diverse group of individuals, youth and career professionals alike; mentoring and educating the community about the artistic merit and technical advancements in sound and music editing; providing scholarships and mentorship for the continuing advancement of motion picture sound in education; and helping to enhance the personal and professional lives of the men and women who practice this unique craft. For more information, visit http://mpse.org/