Los Angeles—The Motion Picture Sound Editors (MPSE) today announces nominees for the 65th MPSE Golden Reel Awards. Nominees represent the work of the world’s most talented sound artists and their contributions to the past year’s most outstanding feature film, television, animation and computer entertainment productions. “This has been an outstanding year in entertainment sound,” said MPSE president Tom McCarthy. “Sound artists have crafted brilliant soundscapes for movies, television, games and other media. The Motion Picture Sound Editors extends its congratulations to this year’s Golden Reel Award nominees for their wonderful contributions to the art of sound.” The MPSE Golden Reel Awards recognize outstanding achievement in sound editing in 23 categories encompassing feature films, television, animation, computer entertainment and student work. The 65th MPSE Golden Reel Awards ceremony is scheduled for Sunday, February 18th at the Westin Bonaventure Hotel in Los Angeles. Tickets to the 65th MPSE Golden Reel Awards may be purchased here.    2018 MPSE FILMMAKER AWARD Kathryn Bigelow  2018 MPSE CAREER ACHIEVEMENT AWARD John P. Fasal   2018 MPSE Golden Reel Award Nominees   Outstanding Achievement in Sound Editing – Feature Animation Cars 3 Disney Sound Designer: Thomas Myers Supervising Dialogue Editor: Brian Chumney Sound Effects Editors: EJ Holowicki, Benjamin A. Burtt ADR Editor: Michael Silvers Audio Artist: Anthony Defrancesco Foley Editor: Qianbahui Yang, MPSE Music Editor: Joe E. Rand Foley Artists: Jana Vance, Dennie Thorpe, Geoff Vaughan Foley Editor: Terry Eckton   Coco Disney Supervising Sound Editor: J.R. Grubbs Sound Designer: Chris Boyes Dialogue Editors: Marshall Winn, Michael Silvers Sound Effects Editors: Michael Silvers, Justin Doyle, Jack Whittaker Foley Editors: Terry Eckton, Dee Selby Foley Artists: Jana Vance, Dennie Thorpe, Geoff Vaughan   Despicable Me 3 NBC / Universal Supervising Sound Editor: Dennis Leonard Sound Designer: Tim Nielsen Dialogue Editor: Matthew Hartman Sound Effects Editors: Mac Smith, Andre J.H. Zweers Foley Editors: Christopher Flick, Richard Gould Foley Artists: John Roesch, Shelley Roden Music Editor: Slamm Andrews   Ferdinand 20th Century Fox Supervising Sound Editors: Randy Thom, MPSE, Gwendolyn Whittle, MPSE Supervising Dialogue Editor: Dmitri Makarov Sound Designer:  Jeremy Bowker Sound Effects Editors: Leff Lefferts, Pascal Garneau, Devon Kelly, Christopher Barnett, EJ Holowicki Foley Editors: E. Larry Oatfield, Chris Manning, Qianbaihui Yang, MPSE ADR Editors: Jamie Branquinho, Will Ralston Music Editor: Tom Carlson Foley Artists:  John Roesch, Shelley Roden, Scott Curtis   The Breadwinner GKIDS Supervising Sound Editors: J.R. Fountain, Nelson Ferreira Sound Effects Editors: Dashen Naidoo, Tyler Whitham Foley Artist: John Elliot Foley Editor: Kevin Schultz Music Editor: Erich Stratmann   The Lego Batman Movie Warner Brothers Supervising Sound Editor: Wayne Pashley, MPSE Supervising Dialogue Editor: Rick Lisle Sound Effects Editors: Fabian Sanjurjo, Andrew Miller, Mario Gabrieli, Jared Dwyer, Emma Mitchell, Nigel Christensen, Terry Rodman, Christopher S. Aud, MPSE, F. Hudson Miller, MPSE, Beth Bezzina Dialogue Editors: Sonal Joshi, Derryn Pasquill, Linda Yeaney Foley Artist: John Simpson, MPSE Music Editor: Will Kaplan   Outstanding Achievement in Sound Editing – Feature Documentary An Inconvenient Sequel: Truth to Power Paramount Sound Designer: Kent Sparling Sound Effects Editors: Zach Martin Dialogue Editor: Gwendolyn Yates Whittle, MPSE Foley Editor: Andrea Gard Foley Artist: Andrea Gard   Bill Nye: The Science Guy PBS Supervising Sound Editor: Peter Albrechtsen, MPSE Sound Design: Peter Albrechtsen, MPSE Sound Effects Editor: Morton Groth Brandt Dialogue Editor: Jacques Pedersen Foley Editor: Pietu Korhonen Foley Artist: Heikki Hossi, MPSE   Eric Clapton: Life in 12 Bars Showtime Supervising Sound Editors: Andy Shelley, Steven Griffiths Dialogue Editor: Justin Dolby Foley Editor: Keith Partridge Foley Artist: Barnaby Smyth   Hell on Earth: The Fall of Syria and the Rise of ISIS National Geographic Supervising Sound Editor: Mary Ellen Porto, MPSE Dialogue Editor: Michael Suarez Foley Editor: Rachel Chancey   Icarus Netflix Supervising Sound Editors: E.J. Holowicki, Chris Barnett Supervising Music Editor: Adam Peters Music Editor: Mikael Sandgren   In Pursuit of Silence The Cinema Guild Supervising Sound Editor: Steve Bissinger Sound Designer: Steve Bissinger Dialogue Editor: Shaun Farley, MPSE Sound Effects Editor: Zach Martin   Jane National Geographic Supervising Sound Editors: Warren Shaw, Joshua Jackson Sound Designers: Peter Staubli, MPSE, Odin Benitez, MPSE Dialogue Editor: Will Digby Foley Artist: Tara Blume Music Editor: Suzana Peric   Score: A Film Music Documentary Gravitas Ventures Supervising Sound Editors: Kari Barber, MPSE, Peter Bawiec, MPSE Sound Effects Editor: Kari Barber, MPSE Dialogue Editor: Peter Bawiec, MPSE Foley Editor: Kari Barber, MPSE Music Editor: Peter Bawiec, MPSE   Outstanding Achievement in Sound Editing – Foreign Language Feature BPM (Beats Per Minute) The Orchard Supervising Sound Editor: Valerie Deloof Sound Effects Editors: Maia Szymczak, Atoine Bertucci Dialogue Editor: Agnes Ravez Foley Artists: Pascal Chauvin, Franck Tassel     First They Killed My Father Netflix Supervising Sound Editors: Glenn Freemantle, Ben Barker Supervising Dialogue Editor: Sven Taits Sound Designers: Glenn Freemantle, Ben Barker Sound Effects Editors: Danny Freemantle, Rob Malone, Eilam Hoffman ADR Editors: Rob Chen, Jens Peterson Foley Editors: Lilly Blazewicz, Nicholas Freemantle Foley Artists: Peter Burgiss, Jason Swanscott   The Happiest Day in the Life of Olli Mäki MUBI Supervising Sound Editor: Pietu Korhonen Sound Effects Editors: Peter Albrechtsen, MPSE, Erik Bjerknes Foley Editor: Heikki Kossi, MPSE Foley Artist: Heikki Kossi, MPSE   Loveless Sony Pictures Classics Supervising Sound Editor: Andrey Dergachev Dialogue Editor: Alexey Kuznetsov Sound Effects Editors: Alexey Kobzar, Sofia Matrosova Foley Editors: Elena Starikova, Ruslan Khuseyn, Dmitriy Zuev Foley Artist: Natalia Zueva   Thelma The Orchard Sound Designers: Gisle Tveito, Fredric Vogel, Peter Albrechtsen, MPSE Sound Effects Editors: Ingar Asdahl, Therese Næss Diesen, Peder Hammerborg Foley Editor: Yvonne Stenberg Foley Artist: Roy Fenstad   Wolf Warrior 2 Well Go USA Entertainment / H Collective Supervising Sound Editor: Hayden Collow Supervising Dialogue Editor: Chris Ward Dialogue Editor: Martin Kwok Sound Effects Editors: Matt Stutter, Matt Lambourn, Brent Burge, Paul Pirola, Tom Scott-Toft Foley Editor: Craig Tomlinson Music Editor: Steve Gallagher Foley Artist: James Carroll   Outstanding Achievement in Sound Editing – Music Score Baby Driver Sony Pictures Entertainment Supervising Sound Editor: Julian Slater, MPSE Music Editor: Bradley Farmer   Blade Runner 2049 Warner Brothers Supervising Music Editor: Clint Bennett Music Editors: Ryan Rubin, Del Spiva   Dunkirk Warner Brothers Supervising Music Editor: Alex Gibson Music Editors: Ryan Rubin, Chris Barrett   King Arthur: Legend of the Sword Warner Brothers Supervising Music Editor: Simon Changer Music Editor: Ben Smithers   The Lost City of Z Amazon Studios Music Editor: Katherine Gordon Miller   The Shape of Water Fox Searchlight Music Editors: Cam McLauchlin, Rob Hegedus, Dustin Harris   Transformers: The Last Knight Paramount Pictures Supervising Music Editor: Alex Gibson Music Editors: Jeannette Surga, Jason Ruder, Brian Lawson, Sam Zeines, Daniel DiPrima, Darryl Hall, Phillip Tallman, Dane Leon   Wonder Woman Warner Brothers Music Editors: Simon Changer, J.J. George, Christopher Benstead, Gerard McCann   Outstanding Achievement in Sound Editing – Musical Beauty and the Beast Disney Supervising Music Editor: Christopher Benstead Music Editors: Robin Morrison, Chris Brooks Scoring Editor: Robin Baynton   Coco Disney Supervising Music Editor: Stephen Davis, MPSE Music Editor: Warren Brown   The Greatest Showman 20th Century Fox Supervising Music Editor: Jen Monnar Music Editors: Jim Harrison, Jeff Carson, Peter Myles, Sheri Ozeki   Outstanding Achievement in Sound Editing – Dialogue / ADR Baby Driver Sony Pictures Supervising Sound Editor: Julian Slater, MPSE Supervising Dialogue Editor: Dan Morgan   Blade Runner 2049 Warner Brothers Supervising Sound Editor: Mark Mangini, MPSE Supervising Dialogue Editor: Byron Wilson Dialogue Editor: Michael Hertlein   Darkest Hour Focus Features Supervising Sound Editors: Becki Ponting, Craig Berkey Dialogue Editor: Michael Marroussas   Detroit Annapurna Pictures Supervising Sound Editor: Paul N.J. Ottosson Supervising ADR Editors: Daniel Saxlid, Laura Graham Dialogue Editor: Robert Troy   Dunkirk Warner Brothers Supervising Sound Editor: Hugo Weng Supervising ADR Editor: David Bach ADR Editor: Russell Farmarco   The Shape of Water Fox Searchlight Supervising Sound Editor: Nathan Robitaille, MPSE Supervising Dialogue Editor: Nelson Ferreira Dialogue Editor: Jill Purdy, MPSE   Three Billboards Outside of Ebbing, Missouri Fox Searchlight Supervising Sound Editor: Joakim Sundstrom Dialogue Editor: Matthew Skelding ADR Editor: Brian Bowles   War for the Planet of the Apes 20th Century Fox Supervising Sound Editors: Douglas Murray, MPSE, Will Files Supervising Dialogue Editor: R.J. Kizer Vocal Editors: Kim Foscato, P.K. Hooker, Doug Jackson, Lindsay Alvarez ADR Editors: Laura Graham, Jim Brookshire   Outstanding Achievement in Sound Editing – Effects / Foley Baby Driver Sony Pictures Supervising Sound Editor: Julian Slater, MPSE Sound Effects Editors: Jeremy Price, Martin Cantwell, Arthur Graley, Rown Watson Foley Editor: Peter Hanson Foley Artists: Zoe Freed, Peter Burgis   Blade Runner 2049 Warner Brothers Supervising Sound Editor: Mark Mangini, MPSE Sound Designer: Theo Green Sound Effects Editors: Chris Aud, MPSE, Lee Gilmore, MPSE, Greg ten Bosch, MPSE, Charlie Campagna, MPSE, Dave Whitehead, Eliot Connors, MPSE Foley Editor: Ezra Dweck Foley Artists: Goro Koyama, Andy Malcolm   Dunkirk Warner Brothers Supervising Sound Editor: Richard King, MPSE Sound Effects Editors: Michael Mitchell, Randy Torres Foley Editor: Michael Dressel Foley Artists: John Roesch, MPSE, Shelley Roden, MPSE   Logan 20th Century Fox Supervising Sound Editor: Donald Sylvester Sound Designers: Wayne Lemmer, Hamilton Sterling Sound Effects Editor: Doug Jackson Foley Editors: Matthew Harrison, John Morris Foley Artists: John T. Cucci, MPSE, Dan O'Connell   Star Wars: The Last Jedi Disney Supervising Sound Editors: Matthew Wood, Ren Klyce Sound Designer: Ren Klyce Assistant Sound Designer: Steve Orlando Foley Supervisor: Frank Rinella Sound Effects Editors: Coya Elliot, Bonnie Wild, Jon Borland Foley Editors: Kim Patrick, Dee Selby Foley Artists: Ronni Brown, Margie O’Malley   The Shape of Water Fox Searchlight Supervising Sound Editor: Nathan Robitaille, MPSE Sound Effects Editors: Tyler Whitham, Dashen Naidoo, Kevin Howard, MPSE, Alex Bullick Foley Editor: Steve Bain Foley Artists: Pete Persaud, Gina Gyles   Thor: Ragnarok Disney Supervising Sound Editors: Shannon Mills, Daniel Laurie Sound Designers: David Farmer, Nia Hansen Sound Effects Editors: David Chrastka, Steve Orlando, Jeremy Bowker, Samson Neslund Foley Editors: Kimberly Patrick, Jacob Riehle Foley Artists: John Roesch, MPSE, Shelley Roden, MPSE   War for the Planet of the Apes 20th Century Fox Supervising Sound Editors: Douglas Murray, MPSE, Will Files Sound Effects Editors: David Grimaldi, Jack Whittaker, MPSE, Ken McGill, P.K. Hooker, Doug Jackson, Lindsay Alvarez Foley Editors: John Morris, Matthew Harrison, Thom Brennan, Willard Overstreet Foley Artists: Dan O'Connell, John T. Cucci, MPSE   Outstanding Achievement in Sound Editing – Live Action Under 30:00 Ballers "Bull Rush" HBO Supervising Sound Editor: Mark Relyea, MPSE Supervising ADR Editor: Julie Altus Sound Effects Editor: David Barbee, MPSE Dialogue Editor: Robert Guastini, MPSE Foley Artists: Damien Smith, Joseph T. Sabella Music Editor: Bruno Roussel   Brooklyn Nine Nine “The Fugitive” Fox Networks Supervising Sound Editor: Christopher Reeves, MPSE Dialogue Editor: Gabrielle Reeves Sound Effects Editor: David Mann Foley Editor: Gary Marullo Music Editor: Jason Tregoe Newman Foley Artists: Michael Lyle, Ginger Geary   Jean-Claude Van Johnson "A Little Conversation About Trust" Amazon Studios Supervising Sound Editor: Marla McGuire, MPSE Sound Designer: Lloyd Stuart Martin Dialogue / ADR Editor: Jason Krane, MPSE Foley Editor: Mitch Lestner, MPSE Music Editor: Dean Menta Foley Artists: Zane Bruce, Lindsay Pepper   Room 104 "Red Tent" HBO Supervising Sound Editor: Kevin Zimmerman Supervising Dialogue Editor: Perry Robertson Music Editor: Mikael Sandgren   Superstore "Tornado" NBC Supervising Sound Editor: Christopher Reeves, MPSE Dialogue Editor: Gabrielle Reeves Sound Effects Editor: David Mann Music Editors: Jason Tregoe Newman, Bryant Furhmann Foley Artists: Joseph Sabella, Jesi Ruppel Foley Editor: Gary Marullo   The Good Place "Janet and Michael" NBC Supervising Sound Editor: Brent Findley, MPSE Sound Effects Editor: Kevin McCullough Dialogue Editor: Greg Brown Music Editor: Jason Tregoe Newman Foley Artists: Dominique Decaudain-Tabach, Pamela Kahn, MPSE   The Off Season “Do Not Disturb” ABC Supervising Sound Editor: Mark Camperell, MPSE Dialogue Editor: Jason Krane, MPSE Sound Effects Editor: Austin Krier Foley Editor: Corey Eccles Foley Artist: Noel Vought   Vice Principles HBO "The Union of the Wizard and the Warrior" Supervising Sound Editor: George Haddad, MPSE Sound Designers: Marc Meyer, Chad Hughes, MPSE Dialogue Editors: Karen Foster, Dale Chaloukian ADR Editor: George Haddad, MPSE Foley Editor: Butch Wolf   Outstanding Achievement in Sound Editing - Episodic Short Form – Music / Musical Dark “Dark Secrets” Netflix Music Editor: Lewis Morison   Game of Thrones “Beyond the Wall” HBO Music Editor: David Klotz   Mr. Robot FX Network "runtime-err0r.r00" Music Editor: Ben Zale   Stranger Things "Chapter Eight: The Mind Flayer" Netflix Music Editor: David Klotz   The Get Down "Unfold Your Own Myth" Netflix Supervising Music Editor: Jamieson Shaw Music Editor: Jordan Ross   The Handmaid's Tale "Offred" MGM Television / HULU Supervising Music Editor: Yuri Gorbachow, MPSE Music Editor: Lise Beauchesne   The Leftovers "It's a Matt, Matt, Matt, Matt World HBO Supervising Music Editor: Amber Funk, MPSE   Twin Peaks "Part 8" Showtime Sound Designer: David Lynch Music and Sound Editor: Dean Huley   Outstanding Achievement in Sound Editing - Episodic Short Form – Dialogue/ADR Feud "And the Winner Is... (The Oscars of 1963)” FX Networks Supervising Sound Editor: Gary Megregian, MPSE Dialogue Editor: Lance Wiseman   Game of Thrones "The Spoils of War" HBO Supervising Sound Editor: Tim Kimmel, MPSE Supervising Dialogue Editor: Paul Bercovitch Supervising ADR Editor: Tim Hands, MPSE   Halt and Catch Fire "So It Goes" AMC Supervising Sound Editor: Sue Cahill Supervising ADR Editor: Sara Benchivega Dialogue Editor: Jane Boegel-Koch   Orange Is the New Black Storm-y Weather Netflix Supervising Sound Editor: John Kincade Dialogue Editor: Todd Niesan, MPSE   Stranger Things "Chapter Eight: The Mind Flayer" Netflix Supervising Sound Editor: Bradley North, MPSE Dialogue Editor: Tiffany Griffith ADR Editor: Bradley North, MPSE   The Crown "Paterfamilias" Netflix Supervising Sound Editor: Lee Walpole, MPSE Supervising ADR Editor: Kallis Shamaris Dialogue Editor: Iain Eyre   The Handmaid's Tale "Offred" MGM Television / HULU Supervising Sound Editors: David McCallum, Jane Tattersall, MPSE Supervising Dialogue Editor: David McCallum Supervising ADR Editor: Dale Sheldrake Dialogue Editor: Brent Picket   Vikings “Homeland” History Channel Supervising Sound Editor: Jane Tattersall, MPSE Supervising Dialogue Editor: David McCallum Supervising ADR Editor: Dale Sheldrake Dialogue Editor: Claire Dobson   Outstanding Achievement in Sound Editing - Episodic Short Form – Effects / Foley Game of Thrones "The Spoils of War" HBO Supervising Sound Editor: Tim Kimmel, MPSE Sound Designer: Paula Fairfield, MPSE Sound Effects Editor: Bradley Katona, MPSE Foley Editors: Brett Voss, MPSE, John Matter Foley Artists: Jeff Wilhoit, MPSE, Dylan Tuomy-Wilhoit   Marvel's The Punisher "Memento Mori" Netflix Supervising Sound Editor: Lauren J. Stephens, MPSE Sound Designer: Jordan Wilby Sound Effects Editor: Jonathan Golodner Foley Editor: Antony Zeller, MPSE Foley Artists: Zane D. Bruce, Lindsay Pepper   Mr. Robot "runtime-err0r.r00" FX Networks Supervising Sound Editor: Kevin Buchholz Sound Effects Editor: Dan Kremer Foley Editors: Randy Guth, Alex Knickerbocker, Mike Marino Sound Editors: Andrew Morgado, Adam DeCoster, Rene Garcia Foley Artists: Dominique Decaudain-Tabach, Pamela Kahn, MPSE   Shooter "The Dark End of the Street" USA Network Supervising Sound Editor: Mark Relyea Sound Designer: David Barbee, MPSE Sound Effects Editor:Russell Gorsky, MPSE Foley Artitst: Joseph T. Sabella, Damien Smith   Stranger Things "Chapter Eight: The Mind Flayer" Netflix Supervising Sound Editor: Bradley North, MPSE Sound Designer: Craig Hennigan Sound Effects Editor: Jordan Wilby, MPSE Foley Editor: Antony Zeller, MPSE Foley Artists: Zane D. Bruce, Lindsay Pepper   Taboo "Episode 8" FX Networks Supervising Sound Editor: Lee Walpole, MPSE Sound Effects Editors: Andy Kennedy, Saoirse Christopherson, Alex Ellerington Foley Artist: Catherine Thomas   The Brave “Stealth” NBC Supervising Sound Editor: Jay Niremberg, MPSE Sound Designer: Trevor Gates Foley Editors: Benjamin Gieschin, Terry Boyd, Jr. Foley Artists: Jody Holwadel Thomas, MPSE, Elizabeth Rainey   Vikings "The Reckoning" The History Channel Supervising Sound Editor: Jane Tattersall, MPSE Sound Designer: Steve Madeiros Sound Effects Editor: Brennan Mercer Foley Artists: Goro Koyama, Sandra Fox   Outstanding Achievement in Sound Editing - Episodic Long Form – Music / Musical Descendants 2 Disney Supervising Music Editor: Amber Funk, MPSE Music Editor: Richard Brown   Ozark Netflix Music Editors: Jason Tregoe Newman, Bryant Fuhrmann   Rebel “Pilot” B.E.T. Music Editor: Shie Rozow   The Get Down "Only from Exile Can We Come Home" Netflix Supervising Music Editor: Jamieson Shaw   Vikings “The Departed” History Channel Supervising Music Editor: Yuri Gorbachow, MPSE Music Editor: Lise Beauchesne   Outstanding Achievement in Sound Editing - Episodic Long Form – Dialogue/ADR Black Mirror "USS Callister" Netflix Supervising Sound Editor: Kenny Clark Dialogue Editor: Michael Maroussas   Godless "Homecoming" Netflix Supervising Sound Editors: Wylie Stateman, MPSE, Eric Hoehn Dialogue Editors: Harry Cohen, MPSE, Hector Gika, MPSE, Sylvain Lasseur, Greg Swiatlowski ADR Editors: Leo Marcil, Jackie Zhou   Ozark "The Toll" Netflix Supervising Sound Editors: Nick Forshager, Steve Grubbs Supervising ADR Editor: Steve Grubbs Dialogue Editor: Todd Niesen, MPSE   The Deuce “Pilot” HBO Supervising Sound Editors: Will Ralston, MPSE Dialogue Editor: Alexa Zimmerman ADR Editor: Mary Ellen Porto   The Long Road Home “Black Sunday” National Geographic Supervising Sound Editors: Gregory King, Greg Brown Dialogue Editor: Jeffrey Dyal ADR Editor: Jim Matheny   Outstanding Achievement in Sound Editing - Episodic Long Form – Effects / Foley Black Mirror "USS Callister" Netflix Supervising Sound Editor: Kenny Clark Sound Effects Editor: Kenny Clark   Godless "Homecoming" Netflix Supervising Sound Editors: Wylie Stateman, MPSE, Eric Hoehn Sound Effects Editors: Harry Cohen, MPSE, Hector Gika, MPSE, Sylvain Lasseur, Leo Marcil, Jackie Zhou   Gotham "Destiny Calling" Warner Brothers Supervising Sound Editor: George Haddad, MPSE Sound Designer: Chad Hughes, MPSE Sound Effects Editors: David Barbee, MPSE, George Haddad, MPSE Foley Editor: James Howe Foley Artists: Joey Sabella, Joanie Rowe, MPSE   Ozark "The Toll" Netflix Supervising Sound Editors: Nick Forshager, Steve Grubbs Sound Effects Editor: Matt Temple Foley Editors: Jeff Cranford, Daniel Raphael   The Long Road Home “Black Sunday” National Geographic Supervising Sound Editors: Gregory King, Greg Brown Sound Effects Editors: Yann Delpuech, John Greasley, Dan Gamache Foley Artist: John Sievert   Outstanding Achievement in Sound Editing – Single Presentation Five Came Back: The Price of Victory Netflix Supervising Sound Editor: Trip Brock, MPSE Supervising Dialogue Editor: Bruce Stubblefield Sound Effects Editors: Demetri Evdoxiadis, Raymond Park, MPSE, Zheng Jia, MPSE Music Editor: Abhay Manusmare   Fire Chasers: The New Chasers Netflix Supervising Sound Editor: Ugo Derouard Sound Designer: Ugo Derouard Dialogue Editor: Mehmaz Mohabati Sound Effects Editor: Rian Balvin   Oasis Amazon Studios Supervising Sound Editor: Lee Walpole, MPSE Sound Designer: Andy Kennedy Sound Effects Editor: Saoirse Christopherson Supervising Dialogue Editor: Stefan Henrix Foley Editor: Philip Clement Foley Artist: Anna Wright   The Sultan and the Saint Unity Productions Foundation Supervising Sound Editor: Matt Davies, MPSE Supervising Dialogue Editor: Kevin Hill Sound Effects Editor: Rich Russey   Superheroes Decoded History Channel Supervising Sound Editor: Lewis Goldstein, Thomas Ryan   Outstanding Achievement in Sound Editing – Non-Theatrical Animation Long Form Justice League “Dark” Warner Brothers Supervising Sound Editor: Otis Van Osten Supervising Music Editor: Christine Luethje, MPSE Sound Effects Editor: Carlos Sanches Scoring Editor: Robert J. Kral   Lego DC Super Hero Girls “Brain Drain” Warner Brothers Supervising Sound Editor: Devon Bowman Supervising Dialogue Editor: Mark A. Keatts, MPSE Sound Designer: Rob McIntyre Sound Effects Editors: Lawrence Reyes, Evan Dockter, Marc Schmidt, Joel Waters, Derek Swanson, D.J. Lynch Foley Editors: Mathew Saiz, Aran Tanchum Dialogue Editors: David M. Cowan, Kelly Foley Downs, Patrick Foley, Michael Garcia Foley Artist: Vincent Guisetti Music Editor: Bijan Olia ADR Editor: George Peters   Teen Titans “The Judas Contract” Warner Brothers Supervising Sound Editor: Devon Bowman Supervising Dialogue Editor: Mark A. Keatts, MPSE Sound Designer: Rob McIntyre Sound Effects Editors: Lawrence Reyes, Evan Dockter, Greg Hainer, D.J. Lynch Dialogue Editors: David M. Cowan, Kelly Foley Downs, Derek Swanson, Michael Garcia   Teenage Mutant Ninja Turtles “Mutant Apocalypse” Nickelodeon Supervising Sound Editor: Jeff Shiffman, MPSE Dialogue Editors: Jacob Cook, Eliot Herman, MPSE Sound Effects Editors: Brad Meyer, MPSE, Jessey Drake, MPSE Foley Editor: Roger Pallan   Trollhunters "Tales of Arcadia" Netflix Supervising Sound Editor: Matthew Hall Supervising Dialogue Editor: Jason Oliver Sound Effects Editor: Goeun Lee, MPSE, James Miller Dialogue Editor: Carlos Sanches Foley Editor: Aran Tanchum Foley Artist: Vincent Guisetti   Outstanding Achievement in Sound Editing – Non-Theatrical Documentary Becoming Bond Supervising Sound Editors: Trip Brock, MPSE Sound Effects Editors: Raymond Park, MPSE, Zheng Jia, MPSE Supervising Dialogue Editor: Bruce Stubblefield Foley Editors: Alexander Jongbloed, Alex Johnson Foley Artist: Lorita de la Cerna   Breaking the Day Supervising Sound Editor: Suat O. Ayas, MPSE Sound Designer: Suat O. Ayas, MPSE Dialogue Editor: Justin Stark   decanted. Digital Cave Media Supervising Sound Editor: Matt Davies, MPSE Dialogue Lead: Kevin Hill Sound Effects Editor: Rich Bussey   Motivation 3: The Next Generation The Orchard Supervising Sound Editor: Shaun Cunningham, MPSE Sound Effects Editor: Shaun Cunningham, MPSE   Shot in the Dark Netflix Supervising Sound Editor: Suat O. Ayas, MPSE Sound Designer: Suat O. Ayas, MPSE Dialogue Editor: Justin Stark Music Editor: Suat O. Ayas, MPSE   The Defiant Ones HBO Supervising Sound Editor: Jay Nierenberg Supervising Music Editor: Del Spiva Dialogue Editor: Tim Niesen Sound Effects Editors: David Mann, Charles Maynes, MPSE, Brent Findley, MPSE, Steven Iba Foley Editor: Katrina Frederick Music Editor: Nicholas Fitzgerald Sound Designer: Chris Terhune Foley Artist: Brandon Sanchez   The New Radical The Orchard Supervising Sound Editor: Shaun Cunningham, MPSE Music Editor: April Tucker Sound Effects Editors: Jonathan Bruce, Amy Barber   Outstanding Achievement in Sound Editing – Non-Theatrical Feature Havenhurst Brainstorm Media Supervising Sound Editors: Eric Lalicata, Tom Boykin Audio Lead: Dan Snow Sound Designer: Alex Weiss ADR Editor: Kyle Lane Foley Editors: Leah Putlek, Ryan Maguire Foley Artist: Tara Blume   Imperial Dreams Netflix Supervising Sound Editors: Trip Brock, MPSE, Steven Avila, MPSE Sound Effects Editor: Raymond Park, MPSE Dialogue Editors: Jackie Johnson, Ian Shedd ADR Editor: Ben Whitver Foley Editors: Terry Boyd, Matt Salib   In Search of Fellini AMBI Distribution Supervising Sound Editors: David Barber, MPSE, Ben Zarai Dialogue Editor: David Barber, MPSE ADR Editor: Michael Kreple Sound Designer: Ben Zarai Foley Artists: Gonzalo "Bino" Espnoza, David Kitchens, MPSE Foley Editor: Michael Lanoue   Little Evil Netflix Supervising Sound Editor: Mac Smith Dialogue Editor: Brad Semenoff Foley Editors: Luke Dunn Gielmuda, Jonathan Greber Foley Artist: Andrew Gard Music Editors: Chris McGeary, Angela Claverie   Revolt Vertical Entertainment Supervising Sound Editors: Ethan Biegel, Chad Hughes, MPSE Sound Effects Editors: Chris Terhune, David Barnaby, Shaun Cunningham, MPSE Dialogue Editor: Charles Kolander Foley Artist: Carsten Richter   The Babysitter Netflix Supervising Sound Editor: Dror Mohar Music Editors: Lodge Worster, Mark Ryan   Outstanding Achievement in Sound Editing – Computer Cinematic Call of Duty: WWII Activision Supervising Sound Editor: Charles Deenen, MPSE Sound Designers: Samuel Justice, Csaba Wagner, Eric Wedemeyer, Ryan McSweeney,Don Veca, Matthew Grimm, Caleb Epps, Eddie Pacheco Audio Director: David Swenson Sound Effects Editors: Braden Parkes, Graham Donnelly, Michael Caisley Foley Editors: Klaus Shipman, Rustam Gimadiyev Dialogue Editors: Emilio Lopez-Centellas, Fernando Labarthe Music Editors: Sam Marshall, Ted Kocher   Destiny 2 Activision Supervising Sound Editors: Jay Weinland, Adam Boyd, MPSE, Bryen Hensley Audio Leads: David Henry, Evan Buehler Sound Designers: Jesse Rope, Carsten Rojhan, Zach Thomas, Daniel Raimo, Beau Jimenez, Nick Interlandi,Tami Tomito, Bryan Celano, Daniele Carli, MPSE, Stosh Tuszynski Foley Supervisor: Jesse Garcia, MPSE Foley Editor: Viktor Phoenix Foley Artists: Cory Coken, Jamie Vanadia, Dawn Fintor, Alicia Stevenson Music Editors: Michael Salvatori, Josh Mosser, Michael Sechrist   Halo Wars 2 Microsoft Studios Supervising Sound Editors: Charles Deenen, MPSE, Csaba Wagner Sound Designers: Samuel Justice, Tim Walston Audio Director: Paul Lipson Sound Effects Editors: Harry Cohen, MPSE, Hayden Collow, Justin Davey Foley Editors: Braden Parkes, Rustam Gimadiyev   Halo Wars 2: Awakening the Nightmare Microsoft Studios Supervising Sound Editor: Patrick Ginn Sound Designers: Chad Bedell, Shannon Potter, Eliot Connors, MPSE Audio Director: Paul Lipson Sound Effects Editor: Michael Finley Foley Artists: Jeff Wilhoit, Dylan Tuomy-Wilhoit   Star Wars: Battlefront Electronic Arts Supervising Sound Editors: Charles Deenen, MPSE, Csaba Wagner Sound Designer: Tim Walston, MPSE Audio Director: Olivier Asselin Sound Effects Editors: Harry Cohen, MPSE, Braden Parkes, Samuel Justice, Graham Donnelly Foley Editor: Rustam Gimadiyev Dialogue Editor: Johannie Gervais Music Editor: Rodrigo Rubilar   Outstanding Achievement in Sound Editing – Computer Interactive Game Play Call of Duty: WWII Activision Audio Director: David Swenson Audio Lead: Michael Caisley, Don Veca Sound Designers: Ryan McSweeney, Eric Wedemeyer, Matthew Grimm, Caleb Epps, Eddie Pacheco Dialogue Editors: Emilio Lopez-Centellas, Fernando Labarthe, Josehp Lyford, Adam Boyd, MPSE, David Natale, Jesse Garcia, Duncan Brown   Star Wars: Battlefront II Electronic Arts Audio Directors: Ben Minto, Olivier Asselin, Jeff Seamster Audio Leads: David Jegutidse, Nathaniel Daw Sound Designers: Terry Fairfield, Tony Prescesky, Gustav Rathsman   Uncharted: The Lost Legacy Sony Interactive Audio Director: Phillip Kovats Sound Designers: Robert Krekel, Jeremy Rogers, Beau Jimenez, Neil Uchitel, Justin Mullens Supervising Dialogue Editor: Maged Khalil Supervising Music Editor: Scott Hanau Sound Effects Editors: Patrick Ginn, Eliot Connors, Joe Cavers Foley Artists: Dawn Lunsford, Alicia Stevenson Music Editors: Andrew Buresh, Anthony Caruso, Rob Goodson, Ted Kocher, Ernest Johnson, Joel Yarger   Outstanding Achievement in Sound Editing – Special Venue Amazon Adventure SK Films Supervising Sound Editor: Peter Thillaye, MPSE Sound Designer: Ed Douglas Sound Effects Editor: Karol Mohr Supervising Dialogue Editor: Steve Munro ADR Editor: Tony Currie Foley Artists: Goro Koyama, Andy Malcolm Foley Editors: Jenna Dala Riva, Davi Aquino Supervising Music Editor: John Kurlander   Carne Y Arena Legendary Entertainment Supervising Sound Editors: Randy Thom, MPSE, Martín Hernández, MPSE Sound Designers: Kevin Bolen, Damian Kastbauer Sound Effects Editor: Leff Lefferts Dialogue Editor: Gwendolyn Yates Whittle, MPSE Audio Artists: Doc Kane, Geoff Vaughan, Dusty Jermier Audio Director: Steve Morris ADR Editor: Brian Chumney Foley Artists: Sean England, Shelley Roden, MPSE, John Roesch, MPSE Foley Editors: Jason Butler, Scott Curtis   Coco VR Disney Supervising Sound Editor: Tim Gedemer, MPSE Sound Designers: Andrew Vernon, Francois LaFleur, Bryan Jerden, Christopher Boyes Sound Effects Editors: Sam Lehmer, Justin Doyle, J.R. Grubbs, Jack Whitacker, MPSE Dialogue Lead: Travis Prater Dialogue Editors: Jim Schaefer, Nick Jimenez, Doc Kane, Michael Miller, Greg Crawford ADR Editors: Howard London, Dave Wilson Foley Editors: Blake Collins, Dee Selby Audio Artist: Michael Semanick   Dream Big: Engineering Our World MacGillivray Freeman Films Supervising Sound Editor: Andrew De Cristofaro, MPSE Sound Designer: Michael Payne Foley Editor: David Stanke Sound Effects Editor: Hector Gika, MPSE Dialogue Editor: Laura Harris Atkinson   We, the Marines MacGillivray Freeman Films Supervising Sound Editor: Andrew De Cristofaro, MPSE Sound Effects Editors: Jay Wilkinson, Alex Knickerbocker Dialogue Editor: Laura Harris Atkinson Foley Artists: Alicia Stevenson, Dawn Lunsford   Outstanding Achievement in Sound Editing – Animation Short Form Castlevania "Witchbottle" Netflix Supervising Sound Editor: Gary Falcone Sound Designer: Paul Menichini, MPSE Foley Editor: Roberto Roberto Dominguez Alegria Dialogue Editors: Tom Maydeck, Mark Mercado Foley Artist: Cynthia Merrill   Justice League Action "Follow That Space Cab!" Warner Brothers Sound Designer: Robert Hargreaves, MPSE Supervising Dialogue Editor: Mark Keatts Dialogue Editor: Mike Garcia, MPSE Foley Editor: John Hegedes   Not Normal EmSquared Supervising Sound Editors: Eric Marks, MPSE, Matt MacDonald   Overwatch Blizzard Entertainment “Honor and Glory” Supervising Sound Editor: Paul Menichini, MPSE Audio Lead: Caroline Hernandez, MPSE Sound Designers: Alexander Ephraim, Harry Cohen, MPSE Sound Effects Editor: Keith Bilderbeck Dialogue Editors: Issac Hammons, Cody Flick Music Editor: Neal Acree   Rick and Morty “Pickle Rick” Adult Swim Supervising Sound Editor: Hunter Curra Sound Effects Editors: Kailand Reily, Andrew Twite, Joy Elett, MPSE, Jeff Halbert Dialogue Editor: Konrad Piñon   Tangled: The Series “The Quest for Varian” Disney Supervising Sound Editor: Otis Van Osten Sound Effects Editors: Gerry Gonzalez, Carlos Sanches Dialogue Editor: Jason Oliver Foley Editor: Goeun Lee, MPSE Music Editor: Kevin Kliesch   The Adventure of Puss in Boots “A Savage Place” Netflix Supervising Sound Editor: Heather Olsen, MPSE Supervising Dialogue Editor: Shawn Bohonos Sound Designer: Heather Olsen, MPSE Dialogue Editor: Robbi Smith, MPSE Foley Editors: David Bonilla, MPSE, Chris Coyne Foley Artist: John Lampinen   Star Wars: Rebels "Trails of the Darksaber" Disney Supervising Sound Editors: David Acord, Matthew Wood Sound Effects Editors: Bonnie Wild, Kim Patrick Foley Editor: Frank Rinella Foley Artist: Ronni Brown   Outstanding Achievement in Sound Editing – Student Film (Verna Fields Award) Don’t Think of a Pink Elephant National Film and Television School Supervising Sound Designer and Editor: Mark Bailey   Dreamweavers Loyola Marymount University Sound Designers: Yi Ming Zhou, Amanda Ziles   Homegrown National Film and Television School Sound Designer: Thomas Blazukas   The Mayflower National Film and Television School Supervising Sound Designer and Editor: Sam Boulton   Poles Apart National Film and Television School Supervising Sound Designer and Editor: Morgan Muse   About MPSE Founded in 1953, the Motion Picture Sound Editors is a non-profit organization of professional sound and music editors who work in the motion picture television and gaming industries. The organization’s mission is to provide a wealth of knowledge from award-winning professionals to a diverse group of individuals, youth and career professionals alike; mentoring and educating the community about the artistic merit and technical advancements in sound and music editing; providing scholarships for the continuing advancement of motion picture sound in education; and helping to enhance the personal and professional lives of the men and women who practice this unique craft. mpse.org