- Marvel Studios’ “Avengers: Infinity War” DIT Kyle Spicer used DaVinci Resolve, UltraStudio, SmartVideohub 40x40, DeckLink Quad 2, DeckLink Mini Monitor and a variety of converters for on-set work;
- Marvel Studios’ “Ant-man and Wasp” DIT Daniele Colombera used a variety of Blackmagic Design capture and playback devices, Mini Converter, Mini Monitor, SmartScope Duo, Smart Videhub and DaVinci Resolve for on-set work;
- “The Darkest Minds” Action Unit DP Paul Hughen, ASC, and Action Unit Director Jack Gill used four Micro Studio Camera 4Ks as small and lightweight stunt cameras;
- “Deadpool 2” DIT Simon Jori used DaVinci Resolve and ATEM 1M/E for greenscreen/bluescreen and on-set work;
- “Dog Days” DIT Dane Brehm used Smart Videohub CleanSwitch 12x12, SmartScope Duo and SmartView Duo for on-set work;
- “The First Purge” DIT Lewis Rothenberg used UltraStudio 4K, HDLinks and Smart Videohub 20x20 and Smart Videohub 16x16 for on-set work;
- “Hotel Artemis” DIT Lonny Danler used DaVinci Resolve, a Micro Videohub and DeckLink Mini Monitor for on-set work;
- “Mile 22” DIT Urban Olsson used Teranex Mini SDI to HDMI, MultiView 4, Smart Videohub 20x20, DeckLink 4K Extreme 12G, Ultrastudio 4K, Ultrastudio and DaVinci Resolve for on-set work and for the creation of an on-set VR monitoring solution for the film’s director;
- “Overboard” DIT Mark Allan used DaVinci Resolve, HDLinks and UltraStudio Express for on-set work;
- “Show Dogs” DIT Thomas Patrick used DaVinci Resolve, HyperDeck Studio, SmartView monitors and Videohub monitors for on-set;
- “Siberia” DP Eric Koretz used a Micro Studio Camera 4K with a Video Assist 4K, as well as DaVinci Resolve and a DaVinci Resolve Micro Panel for testing different looks on-set;
- “Sicario: Day of the Soldado” DIT Ryan Nguyen used various routers, Mini Monitors and DeckLink cards, along with DaVinci Resolve on-set; and
- “Skyscraper” 2nd Unit DIT Mark Allan used HDLink, UltraStudio Express and DaVinci Resolve for on-set work.
- “Adrift” by Stefan Sonnenfeld of Company 3;
- “American Animals” by Rob Pizzey of Goldcrest for The Orchard;
- “Deadpool 2” by Skip Kimball of Deluxe’s EFILM;
- “Hearts Beat Loud” by Mike Howell of Color Collective;
- “Juliet, Naked” by Nat Jencks of Goldcrest;
- “Jurassic World: Fallen Kingdom” by Adam Glasman of Goldcrest;
- “A Kid Like Jake” by Nat Jencks of Goldcrest;
- “Madeline’s Madeline” by Nat Jencks of Goldcrest;
- “Mile 22” by Stefan Sonnenfeld of Company 3;
- “The Miseducation of Cameron Post” by Nat Jencks of Goldcrest;
- “On Chesil Beach” by Tom Poole of Company 3;
- “Overboard” by Trent Johnson of MTI Film;
- “RBG” by Ken Sirulnick of Glue Editing & Design, along with Fusion Studio for stabilizing work;
- “Sicario: Day of the Soldado” by Stephen Nakamura of Company 3;
- “Skyscraper” by Stefan Sonnenfeld of Company 3;
- Disney Lucasfilms’ “Solo: A Star Wars Story” by Joe Gawler of Harbor Picture Company;
- “Sorry to Bother You” by Sam Daley at Goldcrest;
- “Sorry to Bother You” for VFX by Darren Orr of Beast;
- “SuperFly” by David Hussey of Company 3.
Terry Frechette
+1 408 954 0500 Ext. 321