(Adelaide, South Australia--April 29, 2014) In Lakeshore Entertainment’s "I, Frankenstein" director Stuart Beattie offers a darkly cerebral tale in which the monster of the Mary Shelley novel (here named Adam and played by Aaron Eckhart) has survived to modern day and become embroiled in a deadly confrontation between an assortment of grisly gargoyles and demons.
Working under the supervision of James McQuaide, the film’s visual effects supervisor and one of its executive producers, Rising Sun Pictures produced several dozen visual effects shots for I, Frankenstein. The studio’s team created intricate environmental effects and matte paintings used to establish several of the film’s dark and brooding settings. Artists also conjured up effects for what became known as the “stasis chamber,” a devilish, quasi-scientific machine used to “reanimate” life.
