Sound effects editor Steve Browell uses a selection of company’s mics to capture the sound of vehicles for feature films and television projects
(London, United Kingdom--April 29, 2014) Recording audio for film and TV within the confines of a car is difficult enough, but actually capturing the sheer range of sounds that comprise car noise is an entirely different level of challenge. This, however, is something of a specialty for freelance sound effects editor Steve Browell who uses a range of DPA mics and a variety of techniques to achieve spectacular results.
